***Contains Spoilers***
Dennis O’Neil’s The Question Omnibus Vol. 1 is an intense and thought-provoking journey through the streets of Hub City. Spanning issues #1-26, this collection redefines Vic Sage, aka The Question, transforming him into a gritty, philosophical anti-hero. Set against the backdrop of a crime-ridden urban landscape, these stories are dark, violent, and deeply reflective, tackling societal issues and moral quandaries that still feel relevant today.
What stood out to me most about this run was its philosophical depth. O’Neil masterfully used each storyline (typically spanning one to three issues) to explore a specific philosophical question. Whether it’s the nature of morality, the value of truth, or the cost of power, these themes are woven into Vic’s investigations, making the series feel like much more than a standard superhero story. If you’re willing to engage with the questions posed, the series rewards you with a narrative that makes you think long after you’ve put the book down.
The tone of the series is quintessentially 1980s, borrowing heavily from the darker, grittier approach to comics of that era. This run transitioned The Question into DC’s Mature Audience label, which would later evolve into Vertigo. It’s not gratuitously violent, but the brutal fights and disturbing crimes Vic faces are unsettling for a reason—they reflect the harsh realities of the world O’Neil wanted to depict. It feels grounded and real, with Vic often barely surviving his encounters. Despite his “superhero” status, there’s little here that feels traditionally heroic. Vic Sage is no Batman or Superman; he’s a deeply flawed and vulnerable character navigating a morally ambiguous world.
The guest appearances were another highlight for me. The crossover with Green Arrow was excellent, showcasing the dynamic between two socially conscious heroes with wildly different methods and philosophies. I also loved the brief appearances by Lady Shiva. Her role as a mentor to Vic adds layers to his journey and provides some of the series’ best fight scenes. The three-issue arc centered on a local election was another standout, especially as it resonates in today’s politically charged climate. Reading it ahead of the 2024 election felt particularly timely.
That said, the series isn’t perfect. Some of the dialogue and narrative devices feel dated by today’s standards. While the philosophical themes are intriguing, they can occasionally come across as heavy-handed. Additionally, the pacing drags in a few spots, particularly in some of the middle issues. It’s a minor complaint, but the series is best enjoyed in chunks rather than a marathon read.
Overall, Dennis O’Neil’s The Question is a must-read for fans of dark, thoughtful comics that go beyond capes and tights. Its blend of gritty storytelling, philosophical depth, and grounded realism makes it one of the more unique offerings from DC’s 1980s catalog. It’s not perfect, but its ambition and execution earn it a solid 4 stars. Highly recommended for anyone looking to explore something different in the superhero genre.
Feature Image The Question #6 cover art by Bill Sienkiewicz and Denys Cowan